A monk carrying a girdle book, by an unknown artist (Image found on Wikipedia)
If you ever find yourself in need of carrying a book in a medieval-fashion way, consider turning it into a girdle book! Girdle books were small portable books worn by medieval European monks, clergymen and aristocratic nobles as a popular accessory to medieval costume, between the 13th and 16th centuries. They consisted of a book whose leather binding continued loose below the cover of the book in a long tapered tail with a large knot at the end which could be tucked into one's girdle or belt. The knot was usually strips of leather woven together for durability. The book hung upside down and backwards so that when swung upwards it was ready for reading (classy!). The books were normally religious: a cleric's daily Office, or for lay persons (especially women) a Book of Hours. One of the most well known texts to become a girdle book is Boethius's Consolation of Philosophy, although it is the only surviving philosophical/theological girdle book. Women especially wore the girdle book out of convenience since it was already fashionable, at least in the 15th century, to wear a girdle belt above the waistline. A book secured on the girdle belt served both the utilitarian function of enabling hands-free carrying and protecting valuable books from theft and the elements. It also made a visible statement of social position wealth and learning (or at least literacy). Artistic depictions of authoritative figures, saints or apostles like St. Jerome book confirm their popularity as an accessory.
They first appeared in the late 13th century and gained popularity through the 15th sometimes becoming ostentatious jewel-encrusted presentation books and falling out of favour late in the 16th century, when printed books had become much more common. Another possible reason for their decline was the relatively small number of specialized girdle-protected texts becoming outdated with little need to replace them. In an environment of increasingly cheap printing it was simpler to replicate texts than spend time preserving individual manuscripts. The intricately constructed girdle bindings were simply impractical after a certain point.
There are hundreds of artistic representations of girdle books. Their popularity in art indicates a much wider distribution and adoption of the girdle book as a binding than surviving copies suggest. A list of 150 examples “shows the proportion of representation in painting and in sculpture [as] almost equal.” However, only 23 medieval girdle books have survived in their original binding, the oldest datable example being from Kastl, Germany (ca. 1453). At least part of the reason for the small number of surviving examples stems from the fact that the use of the girdle book was largely confined to a narrow area from the Netherlands to the Upper Rhine Valley.
Although not strictly girdle books, several other types of portable books were in use during the same time period. Some larger books had rings attached to the standard binding so a cord could be slipped through them and wrapped around the waist. Other books were small enough that they could be worn around the neck. A small chain looped through a ring or two at the top of the binding was all that was necessary to make it portable. Finally, a fourth type of portable book was the vade mecum (go with me), consisting of a booklet or folded sheets that contained an almanac or medical information and could be suspended from a belt. The text on a vade mecum would be arranged in such a way as to be legible as someone unfolded the parchment, rather than having to constantly reorient the sheets.
They first appeared in the late 13th century and gained popularity through the 15th sometimes becoming ostentatious jewel-encrusted presentation books and falling out of favour late in the 16th century, when printed books had become much more common. Another possible reason for their decline was the relatively small number of specialized girdle-protected texts becoming outdated with little need to replace them. In an environment of increasingly cheap printing it was simpler to replicate texts than spend time preserving individual manuscripts. The intricately constructed girdle bindings were simply impractical after a certain point.
There are hundreds of artistic representations of girdle books. Their popularity in art indicates a much wider distribution and adoption of the girdle book as a binding than surviving copies suggest. A list of 150 examples “shows the proportion of representation in painting and in sculpture [as] almost equal.” However, only 23 medieval girdle books have survived in their original binding, the oldest datable example being from Kastl, Germany (ca. 1453). At least part of the reason for the small number of surviving examples stems from the fact that the use of the girdle book was largely confined to a narrow area from the Netherlands to the Upper Rhine Valley.
Although not strictly girdle books, several other types of portable books were in use during the same time period. Some larger books had rings attached to the standard binding so a cord could be slipped through them and wrapped around the waist. Other books were small enough that they could be worn around the neck. A small chain looped through a ring or two at the top of the binding was all that was necessary to make it portable. Finally, a fourth type of portable book was the vade mecum (go with me), consisting of a booklet or folded sheets that contained an almanac or medical information and could be suspended from a belt. The text on a vade mecum would be arranged in such a way as to be legible as someone unfolded the parchment, rather than having to constantly reorient the sheets.
~Ally
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